Evans' debut with the Metropolitan Opera as the Huntsman in the new Mary Zimmerman production of Rusalka, which was broadcast to theatres around the world as part of the Met's Live in HD program, his San Francisco Opera debut as Sharpless in the Jun Kaneko production of Madama Butterfly, his San Diego Opera debut as Sharpless in Madama Butterfly, and his debut with Opera Theatre of Saint Louis and Querido Arte in Guatemala as Marcello in La bohème. Orchestral engagements included the baritone soloist in William Walton's Belshazzar's Feast with the Royal Scottish National Orchestra conducted by Thomas Søndergård, and his debut with the Phoenix Symphony in Beethoven Symphony Number 9 conducted by Tito Muñoz.

Evans ill also reprised the role of Marcello in La bohème in his house debut with Dallas Opera. Evans, including the title role in Rigoletto with Kentucky Opera, Zurga in the Lee Blakeley production of Les Pêcheurs de perles with Santa Fe Opera, Leporello in Don Giovanni with Tulsa Opera, and Tonio in Pagliacci with Opera San Jose. The 2018 - 2019 season saw four role debuts for Mr. Concert work includes his debut with the Saint Louis Symphony Orchestra singing Brander in Berlioz's La damnation de Faust conducted by Stéphane Denève. Evans also reprises the role of Sharpless in Madama Butterfly at Lyric Opera of Chicago and in his house debut with Opera Philadelphia. Evans return to San Francisco Opera in his role debut as Lescaut in Manon Lescaut, conducted by music director Nicola Luisotti. Lauded for his 'stentorian Verdi style' by the Chicago Tribune and as 'warm-toned, vivacious and humane' by the San Francisco Chronicle, baritone Anthony Clark Evans is quickly gaining recognition as one of the most promising Verdi baritones of his generation.

Manon lescaut sf opera